Defense Date
4-1-2012
Graduation Date
Spring 2012
Availability
Immediate Access
Submission Type
recital
Degree Name
MM
Department
Music Performance
School
Mary Pappert School of Music
Committee Chair
Stephen Benham
Committee Member
Charles Stegeman
Committee Member
Marylene Gingras-Roy
Committee Member
Sr. Marie Agatha Ozah
Keywords
Viola, Recital, Bloch, Penderecki, Hindemith, Tower
Abstract
This recital explores the solo viola literature of the 20th and 21st centuries. Pieces range in date from 1922 to 2005 and present the various styles and techniques of virtuoso viola playing developed in the modern era. The selection of pieces presented on this recital chronicles the viola's journey to become a legitimate solo instrument in the 20th century. Works performed include: Cadenza per viola sola by Krzysztof Penderecki, Purple Rhapsody for Viola and Orchestra by Joan Tower, Suite for Viola Solo (Unfinished) by Ernest Bloch, Lamentations of Jeremiah for Viola Solo by Milton Barnes, and Sonata for Viola and Piano Op. 25 No. 4 by Paul Hindemith. Works by both male and female composers are presented, and a wide variety of compositional styles are represented, including works by Polish, American, Canadian, and German composers.
Works performed encompass three periods of the modern era: Hindemith - early 20th century, Bloch and Barnes - mid-20th century, Penderecki and Tower - present day.
Format
Language
English
Recommended Citation
Kroko, K. (2012). Graduate Recital, Viola (Recital, Duquesne University). Retrieved from https://dsc.duq.edu/etd/782