Defense Date
7-15-2013
Graduation Date
Summer 2013
Availability
Immediate Access
Submission Type
thesis
Degree Name
MM
Department
Music Technology
School
Mary Pappert School of Music
Committee Chair
Lynn Purse
Committee Member
William Purse
Committee Member
Judith Bowman
Committee Member
Edward Kocher
Committee Member
Stephen Benham
Keywords
Composition, Music, Technology
Abstract
Last Snow is a suite of compositions in a genre that most closely approximates a contemporary jazz style with electronic elements and shifting meters. While there are clear examples of imitative synthesis within the work, many abstract examples of a more diffuse, impressionistic bent are also discernible. Much of the programming for these last mentioned tonal colors and synthesizer leads was accomplished by the composer.
The suite has as a unifying feature the tones of the natural scale beginning from various alternate root pitches. The compositions, therefore, operate for the composer as something of a study with several challenges unique to each of the four resulting scales. There is a desire to more fully incorporate some concepts regarding synthetic chromaticism that the composer was considering during a month while he was convalescing in a hospital after a near fatal heart attack that was endured during the summer of 2009.
Format
Language
English
Recommended Citation
Landis, D. (2013). Last Snow: An Analysis of an Original Electronic Music Suite (Master's thesis, Duquesne University). Retrieved from https://dsc.duq.edu/etd/796